Using Jordan Peele’s Get Out as your primary source and Michel Foucault’s “Panopticism” as your secondary source, make a critical evaluation claim arguing if the film is a valid evolution of the concept of the “panopticon” as defined by Foucault. Since the film is your primary source, it will be crucial to unpack the visual rhetoric employed in the film, as well.
The post Visual Rhetoric and the Panopticon first appeared on COMPLIANT PAPERS.